Genre
Britpop Bands
Britain's answer to American grunge — guitar bands that turned inward, drew on The Beatles, The Kinks, and glam rock, and briefly made the entire country feel like it mattered again. The mid-1990s peak produced some of the best and worst excesses in modern rock.
Ash — Northern Ireland's teenage punk-pop Britpop band whose 1977 delivered Goldfinger and Girl from Mars.
Blur — Britpop icons turned art-rock adventurers, from Parklife to The Ballad of Darren.
Elastica — Justine Frischmann's angular post-punk Britpop band whose tight debut became the genre's best-selling US export.
Kula Shaker — Britpop's psychedelic outliers who fused Sanskrit mantras with 1960s guitar rock.
Manic Street Preachers — the politically fierce Welsh band whose Holy Bible and Everything Must Go bookend Britpop's most serious artistic statement.
Oasis — Britpop legends whose anthemic songwriting and Gallagher brothers' chemistry defined 1990s British guitar music.
Ocean Colour Scene — Birmingham's mod-influenced Britpop band whose Moseley Shoals produced The Riverboat Song.
Pulp — Jarvis Cocker's Sheffield art-pop band whose Common People became the defining anthem of the Britpop era.
Sleeper — Louise Wener's sharp, funny Britpop band whose Inbetweener and The It Girl defined the movement's female voice.
Suede — the band that launched Britpop with glam-inflected guitar drama and Brett Anderson's androgynous vocals.
Super Furry Animals — Cardiff's genuinely strange Britpop experimentalists who recorded in Welsh and toured in a tank.
Supergrass — Oxford's joyful Britpop trio whose I Should Coco and In It For The Money proved the movement had range.
The Charlatans — the Madchester-to-Britpop survivors whose Hammond organ-driven sound outlasted the entire movement.
The Stone Roses — the Manchester band whose 1989 debut became the founding document of Britpop and a generation of guitar bands.
The Verve — Wigan's cosmic Britpop outliers whose Urban Hymns produced Bittersweet Symphony and The Drugs Don't Work.
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